I reject the term “piracy.” It’s people listening to music and sharing it with other people, and it’s good for musicians because it widens the audience for music. The record industry doesn’t like trading music because they see it as lost sales, but that’s nonsense. Sales have declined because physical discs are no longer the distribution medium for mass-appeal pop music, and expecting people to treat files as physical objects to be inventoried and bought individually is absurd.

The downtrend in sales has hurt the recording business, obviously, but not us specifically because we never relied on the mainstream record industry for our clientele. Bands are always going to want to record themselves, and there will always be a market among serious music fans for well-made record albums. I’ll point to the success of the Chicago label Numero Group as an example.

There won’t ever be a mass-market record industry again, and that’s fine with me because that industry didn’t operate for the benefit of the musicians or the audience, the only classes of people I care about.

Free distribution of music has created a huge growth in the audience for live music performance, where most bands spend most of their time and energy anyway. Ticket prices have risen to the point that even club-level touring bands can earn a middle-class income if they keep their shit together, and every band now has access to a world-wide audience at no cost of acquisition. That’s fantastic.

Additionally, places poorly-served by the old-school record business (small or isolate towns, third-world and non-english-speaking countries) now have access to everything instead of a small sampling of music controlled by a hidebound local industry. When my band toured Eastern Europe a couple of years ago we had full houses despite having sold literally no records in most of those countries. Thank you internets.

—Steve Albini responds to a question about downloading music. I am Steve Albini, ask me anything : IAmA

courtneylewis:

Fresh Air remembers Maurice Sendak.

God was dead. The time and cause of death were variously given in sophomore and senior surveys of western civilization—disemboweled by Machiavelli in sixteenth-century Florence, assassinated in eighteenth-century Paris by agents of the French Enlightenment, lost at sea in 1835 while on a voyage with Charles Darwin to the Galapagos Islands, garroted by Friedrich Nietzsche on a Swiss Alp in the autumn of 1882, disappeared into the nuclear cloud ascending from Hiroshima on August 6, 1945. The assisting coroners attached to one or another of the history faculties submitted densely footnoted autopsy reports, but none of the lab work brought forth a thumbprint of the deceased.

—Lewis Lapham on the “leap of faith” Mandates of Heaven - Lapham’s Quarterly

the strength to confront suffering was to be found in the thought that “you will not die because you are sick but because you are alive.”

—

On the unknown and unknowable in the practice of medicine.

The God in the Machine - Lapham’s Quarterly

Somewhere

Behind Türkenfeld a spruce nursery a pond in the moor on which the March ice is slowly melting

—The Book Bench: W. G. Sebald’s Poetry of the Disregarded : The New Yorker

This particular book—or rather, set of books—is every edit made to a single Wikipedia article, The Iraq War, during the five years between the article’s inception in December 2004 and November 2009, a total of 12,000 changes and almost 7,000 pages.

It amounts to twelve volumes: the size of a single old-style encyclopaedia. It contains arguments over numbers, differences of opinion on relevance and political standpoints, and frequent moments when someone erases the whole thing and just writes “Saddam Hussein was a dickhead”.

—James Bridle discusses his work The Iraq War: A Historiography of Wikipedia Changelog 2006-2009